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... and given a neutral Rec.709 starting point, so the test focuses on actual grading decisions rather than basic color management.

For those already using ACES or AMF on set, or ready to go deeper. Special thanks to: Ashley Barron ACS: ...

DaVinci Resolve camera raw decoding for Sony FX5 raw footage courtesy of Visual Park. S-Log3 LUTs: https://geni.us/s0hq ...