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Bradley Verhelle is an interdisciplinary artist working in photographic printmaking and book-arts.  His work investigates boundaries between memory, place, and historical records, using analogue image-making and writing as a method of inquiry into how collective and subjective experiences of 'the past' take shape.  Verhelle's practice examines how histories are contested and rewritten in a tug-of-war of experience.  These constructed histories are unfixed—shaped by subjective experience—and opened up as collective memory.